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In her second book of poetry, Camille Martin breathes fresh life into the sonnet in a collection that is at once edgy and lyrical. The word "sonnet" comes from "song," and the musicality of Sonnets is not surprising, given Martin's background as a classical musician. These poems demonstrate a virtuosic range of approaches and themes; some are inspired by texts as disparate as nursery rhymes, theories of cognitive science, a history of street names, and her own dream journals. The chorus of voices in this collection sing confidently and fluently, proving the sonnet to be an ideal vehicle for Martin's love affair with language.